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more on Great experiences at the Mooooveeees


From: David Farber <dave () farber net>
Date: Mon, 3 Oct 2005 11:28:21 -0400



Begin forwarded message:

From: Tim Onosko <onosko () gmail com>
Date: October 3, 2005 9:00:46 AM EDT
To: dave () farber net
Subject: Re: [IP] Great experiences at the Mooooveeees
Reply-To: tim () onosko com


There has been much tea-leaf reading in an attempt to explain "the summer that audiences stayed home," including movie studio executives actually acknowledging that some of the films they released were less than brilliant. But I'd like to add a modest number of my own observations.

* Every new film being released competes with every other film that the studios have produced. There has never before been a time in film history when audiences have had so much choice, including the ability to see almost any film ever produced, via the boom in DVD releases, and unprecedented numbers of cable and satellite channels (multiple HBOs, Cinemaxes, Showtimes, Turner Classics, et al) devoted to film. Even though cable and home video have been widely available since the late 1970s, there's never been such a glut of moviegoing opportunities. It is a buyer's market.

* The so-called hundred-channel universe is now finally real, and the number of homes with access to them has never been higher, with multiple iterations of high-viewership networks for news, sports and entertainment. There have never been greater reasons to stay home and see what's on TV. The cinema business may be impacted by stay-at- home audiences and theater owners lose, but the movie studios win, since they own and operate the broadcast and cable networks.

* Audience tastes are changing, and the younger, Internet-aware audiences are less attracted to traditional fare. More young people are sharing self-made media -- digital "movies," music, photographs, etc. -- than ever before, and much of this kind of programming is higher quality than ever before, due to the availability of digital video and editing systems, digital audio recording and editing, etc. It's never been easier for individuals to express themselves in words, sounds and pictures, and all of this is small but steadily growing competition for the studio fare.

* Media companies are cranking out record amounts of product -- TV series and other network fare, feature films, home videos -- but time to consume these products isn't expanding nearly enough for audiences to take advantage of the boom. Competition, not just for moviegoing dollars, but for sheer attention among various divisions of the Big Six media companies -- Sony/Columbia, Viacom/Paramount, Fax, Warners, Disney/ABC and NBC-Universal -- is almost cannibalistic. For example, Time-Warner's film division wants you to leave the house and go to a movie, but CNN, Warner Home Video and AOL wants you to stay home and devote yourself to their offerings.

Everybody's making more movies. Nobody's making more time in which to see them.



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