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IP: Brazilian story getting cleaned up
From: Dave Farber <farber () cis upenn edu>
Date: Tue, 30 May 2000 06:30:59 -0400
From: Janos_Gereben <janos () netcom com> Subject: Brazilian story getting cleaned up To: farber () cis upenn edu Date: Mon, 29 May 2000 22:18:49 -0700 (PDT) Brazil favors Japanese digital TV standard Janos Gereben - the451.com [Tests place Japan ahead of American and European competitors in a country where only 20 percent of the population owns a TV.] Anatel, Brazil's federal communications agency, has just received the result of tests that compared the three major globally competing digital-television standards. Japan's system received the top recommendation in this country of 150m people with 30m TV sets. The low ratio of saturation indicates the importance of future TV technology in Brazil if a "leapfrog model" becomes the tool to catch up with technologically more advanced countries. (The U.S. population of 273m and Japan's 127m have close to 100 percent TV ownership. The American switchover to digital TV has a deadline of 2006, with a projected 6bn income to the government in licenses.) The three tested standards were Japan's ISDB (Integrated Services Digital Broadcasting), ATSC (Advanced Television System Committee) from the U.S., and DVB (Digital Video Broadcasting) from Europe. Renato Cruz, of Brazil's National Telecommunications Magazine, told the451.com that ISDB gave "better results" over COFDM (Coded Orthogonal Frequency Division Multiplexing) modulation, which is expected to serve as the basis of service there. Recommendations from the Set/Abert Group favoring the Japanese model will be subject to public consultations between the government, the industry and the general public before a final decision is made by September, after consultation with Argentina, which is coordinating its DTV plans with Brazil. Two other members of the regional group, Uruguay and Paraguay, are not choosing their digital TV standard yet. Brazilian regulators said final decisions depend on economic issues as well as on technical considerations. The Set/Abert Group, making the recommendation, consists of television engineers and members of the Brazilian Radio and Television Association. According to Cruz, there is opposition in Brazil to the ISDB standard because it's commercially still unproven. Also, in the SET/Abert tests, the European DVB results were very close to the Japanese system's performance. Although public discussion seldom differentiates between HDTV and DTV, they are distinct. High-definition TV works in the analog mode as well - the Japanese have been broadcasting in that format - but digital HDTV has many advantages and is to be used by the Japanese despite their headstart in the other format. DTV allows full exploitation of the capabilities of HDTV, but it can also be used to carry multiple channels of conventional video and assorted digital signals. The Japanese digital TV model was developed by NHK, the Japan Broadcasting Corporation, beginning in 1968, proposed as a worldwide standard in 1983, and then vetoed by the U.S. and Europe in 1986. A year later, work began in the U.S., leading to FCC adoption in 1996 of ATSC. The European platform, DVB, is from the same time period; it was adopted by Australia as well in 1998. Regular broadcasting of HDTV programs began in Japan in 1989, based on NHK's hybrid analog-digital Hi-Vision format, which is just moving to full digital broadcasting this year. Programs have been processed digitally, and then broadcast in an analog mode, creating a situation in which sets were very expensive and technology fell behind others going to the full digital broadcasting system. One of the leading digital models, the Digital Terrestrial Television Broadcasting (DTTB) system uses advanced digital techniques to convert analog to digital signals, which are then compressed, along with other signals, before being broadcast from a transmitter. With digital transmission, sound and pictures are processed electronically and converted into binary digits. This code is then transmitted as a bit stream and the receiver converts the digital transmissions back to graphics, text, and sound. HDTV, enabled by digital TV, offers approximately twice the vertical and horizontal resolution of a PAL signal, providing a picture close to 35mm film and a sound quality approaching that of a compact disc. It is particularly suited to large-screen television display, with an aspect ratio of 16:9 (1.78 to 1) and at least 1,000 lines making up the picture. Currently, the U.S. National Television Standards Committee, or NTSC, standard has a 4:3 aspect ratio (1.33 to 1) and 525 lines.) DTTB systems can accommodate 6, 7 and 8 MHz channel spacing, with minimal or no apparent cost disadvantage. Australia uses 7 MHz channel spacing for analog services, the USA uses 6 MHz, and Europe usually uses 8 MHz.
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