Politech mailing list archives
FC: Writers' electronic rights and Tasini v. NYTimes judgment
From: Declan McCullagh <declan () well com>
Date: Fri, 08 Oct 1999 10:55:48 -0400
[I was camping in the Grand Tetons, not Yellowstone, about 50 miles southwest. --DBM] ****** Date: Thu, 7 Oct 1999 19:15:11 -0700 To: declan () well com From: hedlund () forests com (Patric Hedlund) Subject: NWU TASINI V. NYTIMES JUDGEMENT Hi Declan, While you were swatting mosquitos in the outback of Yellowstone (?) the ruling about independent writer's electronic rights was reversed on appeal in favor of writers. I see this as part of a much larger picture for all online content creators. I sent you a summary of that info. It is an important intellectual property issue core to the convergence of formerly discrete media, and could have positive reverbs in many sectors of contract law related to the internet IF writers exercise their rights under this victory. I would think that the CATO circuit would realize this is an important ruling for independent business people who happen to make their livings creating content for the net. Please circulate info about the ruling to this list. Patric Hedlund, Computers, Freedom & Privacy Video Library Project [PREVIOUS TRANSMISSION ATTACHED] You may have noticed that the legal battle waged by independent writers to maintain our right to be paid for republication of our print stories in electronic form has finally been resolved. The National Writer's Union suit "Tasini v The New York Times" appeal victory is an important event, which confirms that Web rights are separate from print rights and must be licensed separately. The National Writers' Union is sending out an appeal for writers to USE this opportunity, because most certainly if we don't use it, we WILL lose it. NWU worked on this case for 5 years. The issues are explained below. Perhaps it is still early enough within this new online economy for creators of content to assert our right to be remunerated for the ongoing use of our work. Yes, we may be underdogs vs consolidated corporate media...but we are still business people, and our talent and creativity is the capital which we are investing. Return on that investment is what pays the mortgage and helps pay our kids' tuition. We have a responsibilty to manage it well. If you have been confronted with agreements such as the L.A.Times' standard contract, which seeks to strip freelancers' right to payment for republication online, you will recognize that if we agree to "go along to get along" we can quickly nullify the impact of this important ruling. Whether you choose to join NWU or not, you might want to consider using its standard freelancers contract in your business dealings with editors. I'll be happy to fax a copy to any of you who request it (be sure to include yr fax # with your reply). I also urge those of you who are currently in corporate staff positions to consider how this issue affects your personal options should you become an independent tomorrow. I hope you'll find this information useful, and I invite your comments.
TASINI V. THE NEW YORK TIMES RULING - WHAT DOES IT MEAN FOR WRITERS? On September 24, 1999, the Second Circuit Court of Appeals reversed a federal district court decision against the plaintiffs in Tasini et al. v. New York Times et al. The appeals court ruled that the reuse of freelance work on databases and CD-ROMs without the authors' express permission constitutes copyright infringement. This is a major victory for all independent creators. The purpose of this document is to explain the ruling and to suggest what writers should do next both collectively and in our individual contract negotiations. WHAT THE DECISION SAYS: Q. In a nutshell, what did the ruling say? A. The judges ruled that, even when there is no contract relating to electronic rights, a print publisher may not put the writings of freelancers on databases (such as Nexis) and CD-ROMs that include the entire textual content of the print publication. Q. Does this mean that freelancers automatically retain electronic rights to their printed work? A. Yes, under the Copyright Act of 1976, the writer, in the absence of a written contract, transfers only First North American Serial Rights and retains all other rights. The right to electronically reproduce freelance articles is not included in the transfer of First North American Serial Rights. The judges also affirmed the lower court's ruling on publishers' efforts to acquire rights by stamping a statement on the back of checks. Writers do not transfer rights to an article by simply endorsing such a
check.
Q. Why did the district court rule in favor of the publishers? A. Judge Sotomayor based her conclusion on an interpretation of Section 201(c) of the Copyright Act of 1976, which deals with the copyright in "collective works." She focused on the language in Section 201(c) that gives the holder of the copyright in the collective work the limited privilege of reproducing and distributing revisions of the compilation. The judge came to the bizarre conclusion that certain kinds of electronic databases amount to nothing more than a "revision." As the appeals court pointed out, reading "revision" that broadly causes "the exception to swallow the rule." Q. How do my individual electronic rights in an article relate to the publisher's collective electronic rights in all of the articles it has published? A. If you have not expressly transferred to the publisher the right to reproduce your work electronically, the publisher cannot legally license your articles to databases. The publisher only has the right to license database rights to articles that were written by employees and articles written under contracts that transfer electronic rights. Q. What about other kinds of electronic rights? A. This decision reaffirms the NWU's position on websites. Publishers do not automatically have the right to put your work on their own website. Web rights are separate from print rights and must be licensed separately. See the NWU Web-rights Policy. Q. What does the ruling mean for the NWU's Publication Rights Clearinghouse (PRC)? A. It means that publishers now have more reason than ever before to negotiate collective licensing agreements with the PRC. As long as writers stand together and refuse to sign electronic rights over to publishers in their individual contracts, the PRC will be in a strong position to negotiate additional fees for these rights. And that means that writers will be able to share in the revenue generated by the use of their work in new media. FOR MORE INFORMATION ABOUT THE "TASINI V. THE NEW YORK TIMES" RULING PLEASE VISIT THE NATIONAL WRITERS UNION WEB SITE: <http://www.nwu.org> Date: Wed, 29 Sep 1999 15:59:16 -0700 To: nwu () nwu org From: National Writers Union <nwu () nwu org> Subject: NWU: Building on Victory - Your Union Needs You
Dear NWU member: Our recent victory in the landmark lawsuit Tasini v. The New York Times is a very important step forward in our ongoing fight to guarantee that writers are treated with dignity and respect. But all writers must understand that this is only one small step. If writers do not, today, join the National Writers Union, we will be no better off a few years from now. The growing power of the media industry, its consolidation across borders and its use of its vast resources to force us to sign away our rights and refuse to give us our fair share poses a great threat to writers. A threat to our very survival. Every writer must see this threat clearly. And he or she must understand that the only way to take this victory and hammer it home, to build on it, is to build a powerful, strong Union. AND WE NEED YOUR HELP! The document above is a brief Q&A covering few key points of the ruling that are especially important for writers. Please copy this document and post it on EMAIL LISTS, DISCUSSION GROUPS, WEB SITES and other venues frequented by freelance writers. And please include the link at the bottom to the NWU web site. This is information every writer should know. Thank you for your help. In Solidarity, Jonathan Tasini President ________________________________________________________
_______________________________________ National Writers Union, UAW Local 1981 113 University Place, 6th Floor New York, NY 10003 Ph: 212-254-0279 / Fx: 212-254-0673 Email: nwu () nwu org Web: http://www.nwu.org
Patric Hedlund, * The most beautiful thing * we can experience Dendrite Forest, Inc. * is the mysterious. P.O. Box 912 * It is the source of all Topanga, CA 90290 * true art and science. Phone: 310 455-3915 * --Albert Einstein FAX: 310 455-1384 * www.forests.com * hedlund () forests com * So, what IS a Dendrite Forest? See <www.forests.com> ******************************************* Co-founder Ethical Standards & Practices Committee of the AIP -------------------------------------------------------------------------- POLITECH -- the moderated mailing list of politics and technology To subscribe: send a message to majordomo () vorlon mit edu with this text: subscribe politech More information is at http://www.well.com/~declan/politech/ --------------------------------------------------------------------------
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